Dream a Little for 2012

This post originally appeared at Meanderings and Muses, the wonderful blog of Kaye Barley. Because it's almost 2012, and a lot of people are thinking about what they want to accomplish next year, I thought I'd re-post it here.

Happy New Year.

DREAM A LITTLE

One day, I quit dreaming—and it took me over forty years to figure it out.

At some point, it became easier to turn my back on a dream, to let it fade, then to not be perfect each step on the way toward making that dream a reality. (Perfection is really a stupid concept, but that’s another topic.)

What I had, when I quit dreaming, were flat goals. Goals that belonged to other people. Goals I committed to for some reason: to keep my job; to make a loved one happy; because everyone else had a similar goal. They weren’t wrong, they just weren’t mine.

A few weeks ago, while writing my morning pages (if you haven’t read The Artist’s Way by Julia Cameron, what are you waiting for?), I recognized the little girl who used to dream (with a certain amount of fearlessness) had stopped, and I began work to get her back.

I heard this as recently as last week: “Unless it’s specific, with a timeline, it’s not a goal. It’s just a dream.”

Just a dream.

A little belittling to dreams, if you ask me.

I’m not saying my life for forty years consisted of dull days and a series of tasks. Far from it. But I am saying I missed the richness—the possibility—dreams provide.

How do you keep a soul in your goals? Inspiration in your perspiration?

Dream.

I’ve decided a dream is a little like a new idea for a novel. I toss it around for a while. Turn it over. Is it something I can build a whole story around—a life around? If it feels good, grabs me, then I begin to plot it out. Or, for those of you are more of a “live life by the seat of your pants” kind of person, dive in until your dream begins to take shape. If the idea has staying power, it’s full speed ahead.

The best goals begin as dreams. The best dreams are your dreams. Dreams that fill your soul. They demand you go after them. It’s your pursuit that makes the dream stronger and turns it into (gasp!) a goal.

Before you kick yourself for not accomplishing everything on your list in 2011, consider whether those things were your goals or someone else’s. And before you begin to contemplate what you would like to have happen in 2012, dream a little.

CR: Just finished reading an ARC from Debbi Mack. It was terrific. Be looking for Riptide in February!

It's all better with friends.

An Invitation

Today is "my" day at Crime Fiction Collective. I'm talking about keeping track of all of those details, especially those details crime writers have to deal with.

Actually, I'm asking for help.

Got any?


CR: Incinerator by Tim Hallinan

It's all better with friends.

OT: Crockpot Dressing

To be honest, I found a picture of a cuter dog, but this one seemed to epitomize everything we have to be thankful for. 

Happy Thanksgiving, everyone!

\

Never Dry Crockpot Dressing

1 cup butter or margarine, melted (You can get away with using a little less, but heck, it's Thanksgiving!)

2 cups chopped onion (I usually add a tad more, but then we love onion in our food.)

2 cups chopped celery

1/4 cup parsley (fresh or dried)

2 cups canned mushrooms, drained (I use fresh sliced.)

2 eggs, beaten

3 1/2 to 4 1/2 cups chicken broth, or enough to moisten well

13 cups dry bread, cubed (I can never find unseasoned, so it takes about two of the Italian loaves from the bakery.)

1 1/2 tsp poultry seasoning

2 tsp salt

2 tsp sage

1 tsp thyme

1 tsp pepper

1/2 tsp marjoram

Melt butter or margarine in LARGE fry pan and saute onion and celery until soft. Mix with remaining ingredients and toss well. Pack in large crockpot. Cover. Cook on high for 45 minutes, then turn to low and continue cooking for 6-8 hours. 

Oh . . . the aroma!!!!!

CR: Incinerator by Tim Hallinan

It's all better with friends.

1940's Noir, Kelli Stanley Style

Read and write about the 1940s? Whatever your answer, you'll enjoy this interview with Kelli Stanley.






CR: I'll make a decision about a new read tonight. I love the anticipation.

It's all better with friends.

Self-Editing, Elizabeth George Style

Self-editing.

Are you shaking in your boots?

One of my all-time favorite writing books is Write Away by Elizabeth George. If you're looking for a craft book where the author lays out her process in a clear and easy way, I recommend George's work. Of course, it could be I love it because it's similar to what I have bumblingly put together on my own. However, because I want you to get something out of this post, I'll go with George's detail, not mine. She's much clearer because she's done it some twenty-five times. Me? Um . . . twice.

George does an incredible amount of prep work before she begins. Because of the preliminary work, when she's finally ready to settle down and create her first draft, she doesn't have to worry about what's going to happen next or how her characters should respond. She's able to focus on the best words and use them to create a compelling story.

That doesn't mean things don't change and new ideas don't surface, it just means she's free to allow them to do so without concern about how they fit into the story she is telling.

When she's finished with her first draft, she prints out a hard copy and tries to read it through in a couple of days. She makes no changes to the book. Let me repeat that, because—at least for me—this is the hardest thing to do. She makes no changes to the book during this read through. On a separate piece of paper, she makes notes of where the story needs some kind of work: clarification; delete areas of repetition; delete purple-prose; improve sub-plots; etc. She's simply looking for ways to make the story better, in an editorly way.

Then she writes herself an editorial letter as a guide for her second draft. She doesn't say this in Write Away, but I hope she gives herself a few pats on the back while she points out the weaknesses of the manuscript.

Her second draft is done pen-to-that-untouched hard copy. She goes through and deletes, adds and moves things around with the real cut and paste concept. If she needs to create something longer than three handwritten pages, she'll consider typing it up. Otherwise, this is where she literally gets her hands dirty, uses a bright red pen to slash through paragraphs, and scissors and tape to move paragraphs or scenes around.

This second draft is done at the rate of about fifty pages per day. When she's finished with her marked-up, cut-up and pasted draft, she types all of the changes into the computer, prints out a new copy and gives it to one cold reader. She includes two documents. The first one contains questions her reader should know about prior to the cold read, the second one is sealed and contains questions George didn't want her reader to be influenced by beforehand.

If there are further changes that need to be made, she makes them. Then it's off to her editor.

Have you read Write Away? Does this process appeal to you?



CR: Seed by Ania Ahlborn.

It's all better with friends.

Meandering and Muses

I'm guest blogging today at Meanderings and Muses, the most wonderful blog of Kaye Barley.

If you have the opportunity, I'd love it if you could come by and cheer me on. My subject is dreams and how they relate to goals.



It's all better with friends.

Words, Words and More Words

I feel as if I've discovered The Secret.


Many of my writer friends regularly write 2,000 words a day. Some as many as 8,000 words. I know of one man who can belt out 10,000, and one particularly prolific woman who I've heard can slam out 20,000 when she gets a full head of steam.


These are multi-published authors, not someone racing down one rabbit hole after another. These are people who know words, which ones work and which ones don't. (They probably never, ever use "was" in a sentence.)


For the longest time I decided the difference between their output and mine belonged solely to the concept of deadlines. Commitments. A responsibility to produce. They had real deadlines. Mine were only pretend.


But last week I tried something. And it worked. I hit my word count for the day. A fluke?


So, I tried it again the next day. Bingo.


On the third day I really gave it a test, and upped the word count I wanted by the end of the day. Ta-dah!


Do you want to know what I did?


Before I tell you, you need to understand I am not writing (yet) 20,000 or 8,000 or even 2,000 words a day, every day. But I have been successful at hitting between 800 and 1,000, which for me is like opening a whole new world of wonders.


I did not get my rough draft completed by the end of October, but heck . . . I didn't know this secret until a few days ago. Now that I'm pumping, it should come sooner rather than later.


Are you ready? It's ridiculously simple. On my To Do List, I write down how many words I want my manuscript to contain by the end of the day. Once I hit that number, I can play. I can veg with my husband in front of the television, or read, or paint my toenails, or go for a long walk. I can "close up shop."


I'm not naive enough to believe this will work every day, but I can tell you, I have a lot better chance at upping my word count doing this than just wishing it so.


So now I'm off to get those words in. 


Do you have something that's been difficult for you to accomplish with your writing? Have you figured out the secret that works for you?






CR: The Charlestown Connection by Tom MacDonald. I'm pretty sure this is his debut novel, and dang . . . it's pretty good.


It's all better with friends.