The Delight is in the Details

An author who has recently caught my eye is Joseph Finder. I've only read two of his so far, but I sit back and think . . . this guy knows a lot about a lot.

I'm currently reading the new Dean Koontz. If you've read my blog very much, you know I find much to like about Koontz. Even to the point that I want to be him when I grow up. That's not to say he doesn't disappoint, but so far, Breathless is amazing.

He's using a sentence structure from time to time that makes me stumble a bit, but I like to give an artist the opportunity to try a different brush stroke before I decide I don't like the painting. I might blog about that later.

But what I've noticed, yet again, is the detail he imbues his stories with. Joe Finder does the same thing. I'm reading the words, learning (because I often learn through fiction) and thinking that this guy is the ultimate Renaissance Man.

How does he choose where to release the detail and how much can he release before it becomes an Information Dump?

I've learned in previous Koontz novels (and this one as well) that rats make nests in certain palm trees. Is that creepy, or what?

In Breathless I learned that thoroughbreds do better with their own companion animals; about choosing a base color in weaving, and a whole lot more about veterinary medicine than the average guy knows. Even a little about carving furniture and inlaying the wood with metal.

It's the tiny detail that underlines a moment. A scene. A thought. It's the tiniest bit of information that stamps it with the "reality" stamp.

As a reader, how does it effect you? As a writer, do you think you've found the balance?

CR: Breathless by Dean Koontz. Almost to the end, I've thoroughly enjoyed this tale. Hoping I don't get disappointed by the ending.

It's all better with friends.

Do All Information Dumps Stink?

Following on the trail of doing awesome research, the next obvious stop is the Information Dump--not to be confused with the Information Highway where one is actually moving forward.

An information dump is the place in your novel where you are compelled to share all you have learned. The story stops (uh-oh), your chest swells with pride, and you spill your newfound knowledge. Some might say "spew."

I've created one of the most glorious information dumps ever. Have you?

A medical foray for my manuscript resulted in intriguing, juicy information. Why in the world wouldn't it be of supreme interest for everyone? I mean . . . all cool things to know. Right? And I wasn't getting all "Tom Clancy"--going into detail about the instrumentation in a submarine. This was medicine! And besides, if Tom Clancy can do it . . .

Part of my problem is I've always loved learning about real things from reading fiction. Put a non-fiction textbook covering any topic in front of me and full-blown hives would soon be followed by a headache. But put a STORY in front of me, with real information thrown in, and I'm a sponge. Go figger. (This is why good research is important--readers like me rely on it.)

In the story I'm writing--Broken Bones--I wanted to use that intruiging, juicy information. So I had a totally boring character (set up as an expert on the topic) sitting with her legs crossed, doing the info dump. (Sounds like a dance, doesn't it?) Without a doubt, every reader everywhere would soak up my fabulous facts, and be forever grateful to me for putting these tidbits in front of them in such a compelling manner.

Duh.

Suspense stories that are not moving forward for any reason begin to ferment. And rot. And stink. Pacing is crucial in suspense. Don't allow your story to stop. Ever.

The smell emanating from my pages became unbearable. I ended up not only cutting the scene, but also the character. Lively and Unique ended up replacing Boring. Way better.

Research (for your topic) and backstory (for your characters) require very similar handling. Most of it is for you--the suspense novelist--to know. The knowledge you ground yourself in will show through even when you're not forcing it.

Avoid backstory (I still struggle) and avoid information dumps (I still struggle) and you will have a stronger story.

Your readers will thank you.

It's all better with friends.